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The Design of Active Crossovers by Douglas Self

The Design of Active Crossovers Douglas Self ebook
Page: 605
Publisher: Focal Press
ISBN: 0240817389, 9780240817385
Format: pdf

One of the more unique aspects of the ULP is the utilisation of an active crossover rather than the traditional passive crossover found in 95% of commercial designs. I'd like to design in the ability to compare active/passive crossover on the same speaker.For context, I am designing a 2way that needs to get down to ~80-100Hz. Hi guys, I have been working on my system for a while now, and finally decided to go active. Its internal active crossover and custom-designed dual amplifiers ensure an extremely consistent performance under a variety of different studio conditions and program material. MaxxEQ and MaxxBass can be used for designing efficient and programmable active crossovers for both amplifiers and powered speakers. Also, B&W Nautilus speakers use an active crossover design that allows each driver to operate on its own frequency unlike the more-than-common passive crossover designs. Furthermore, my (small) experience with relatively high order active crossovers so far is that it makes for such a small area of overlap at the crossover point that other design constraints can be relaxed a little if need be. I am planning on a multiple amp setup in my crew cab, most likely fed by a RF 3sixty.3. My question is, for the front stage, should I use the. My plan was to trace the transfer function shown on the website, convert to biquad and insert in DSP. Lets start by describing an active crossover. As a B-segment global crossover, Peugeot Urban Crossover variant is mainly targeted to the customers who have high mobility to fill their active lifestyle. I am trying to convert this design from passive to active crossover (miniDSP).